Monday, January 26, 2009

Victor Wooten - Palmystery (2008) new links!





Palmystery 2008

Genre: Jazz / Fusion
Format: Flac + cue + log
Released: April 1, 2008
Label: HEADS UP
Number of Discs: 1Line Up :
VICTOR WOOTEN - vocals, bass instrument, bass guitar, fretless bass, hand claps, drum programming
AMIR ALI - vocals, lute, violin, darabukka
JOSEPH WOOTEN - vocals, piano, organ, keyboards
RICHARD BONA - vocals, percussion
HOLLY WOOTEN, KAILA WOOTEN, KEITH LEE, DERRICK EE, AlLVIN CHEA, SAUNDRA WILLIAMS, ADAM WOOTEN, DOUG WOODARD, THE WOODARD FAMILY, DANIEL HUNT, CHUCK RAINEY, SIFU BRAIN EDWARDS, DOROTHY WOOTEN - vocals
REGI WOOTEN - guitar, bass guitar
ALVIN LEE , MIKE STERN - guitar
KEB' MO' - slide guitar
ERIC SILVER - mandolin, violin
HOWARD LEVY - harmonica
RUDY WOOTEN, SHAWN "THUNDER" WALLACE - alto saxophone
JEFF COFFIN, KARL DENSON - tenor saxophone, baritone saxophone
ROD McGAHA - trumpet
BARRY GREEN - trombone
NEAL EVANS - organ
DANE BRYANT - keyboards
ANTHONY WELLINGTON, ALVIN "LIL' AL" CORDY; ANTHONY "FLEX" WELLINGTON, JOHN BILLINGS - bass guitar
STEVE BAILEY - fretless bass
JD BLAIR, EARL "BIG E" WALKER, DENNIS CHAMBERS; RAYMOND MASSEY, WILL KENNEDY, DERICO WATSON - drums
JAMES JACKSON - congas
ROY WOOTEN - cajon drums, shaker, hand claps
DARRELL TIBBS - percussion

Track Listings:
1. 2 TIMERS
2. CAMBO
3. I SAW GOD
4. THE LESSON
5. LEFT, RIGHT, & CENTER
6. SIFU
7. MISS U - (WITH THE LEE BOYS)
8. FLEX
9. THE GOSPEL
10. SONG FOR MY FATHER
11. HAPPY SONG
12. US 2



The story of Victor Wooten is closely connected with the GRAMMY-winning supergroup, Béla Fleck & The Flecktones. As a longtime member of the group and under the influence of genius and bandleader Béla Fleck he developed his incredible mastership and technique as one of the premier bass players worldwide. It's naturally that further bass mentors were Stanley Clarke, Larry Graham and Bootsy Collins. After Show of Hands, in 1996 Victor recorded What Did He Say? (1997), Yin-Yang (1999 ), the two-disc Live In America (2001 ), Soul Circus (2005) and now Palmystery (2008).

Victor comments the title of his new album: "A song is just an idea until someone brings it into the world,” he says. “That’s the great mystery of music or any creative endeavor. The power is in the palm of your hand. You just have to release it to the world.” Guest musicians on his new album are Mike Stern, Richard Bona, Keb’ Mo’ and several others. But not the names of the musicians are important. It's the idea, the concept, the process of creation. “It doesn’t matter how you go about writing songs,” says Wooten. “The music is coming from somewhere. If we think it’s our brain, or some strictly intellectual source, I would say we’re mistaken. Sometimes the songs show up quickly, almost completely. That’s when you realize, ‘Wow, I didn’t even write this song. It happened on its own.’ But whether it comes together in 30 minutes or several months, it’s coming from the same place. Call it what you want to – spirituality, mysticism, whatever – that energy is there. The musician is the conduit that enables that energy to enter the world.”

After such great philosophical words let's have a glimpse on this fantastic album. With the introducing piece Timers Victor immediately clarifies his position as top notch bass player and excellent composer. The arrangement reminds me of structures and arrangements I observed in Joe Zawinul's work. It's jazz fusion with a popular appeal. Serious but attractive. Ingenious the entry of Howard Levy on harmonica. Howard was a founding member of the Béla Fleck & the Flecktones and is a longtime friend of Victor.

Gambo is a piece of galactic dimension. This macabodacius assimilation of human language by filters and presets makes me speechless. Joseph Wooten on keys is a sorcerer and Derico Watson on bongos drummed by sticks, what a hell of sound tight adroitness and swiftness. Really men, you give me a whack. The future of contemporary jazz looks bright.

South Africa's Township Jive, originated from the townships around Johannesburg, is a fertile ground for I Saw God, an uplifting narration featuring Richard Bona. Victor comments: “This was one of those songs that just came to me one day. It turned out to be one of the songs that everyone was talking about after our shows were over. I think it’s a powerful piece of music. It’s going to make people think and ask questions. And it might even make some die-hard religious people a little nervous. To me, that’s exactly what some music should do.”

Victor Wooten's Bass/Nature reunion camp in the Montgomery Bell State Park is legend. Many have experienced this feeling of nature and music. Now having visited this school, we enjoy The Lesson, a special Flamenco experience. Get some flava from Andalusia.

Left, Right & Center starts with a jazz fusion theme before flooding into a melodious river, just to turn back to fusion arcades. Foremost this a drummer's song, JD Blair (The Groove Regulator), Will Kennedy and Dennis Chambers are sharing the drum sets. Neal Evans spreads his fingers on a Hammond B3, Mike Stern on his guitar and Victor Wooten on his Fender bass. This is an energetic pack, full of tension and vitality.

Starting with smooth strings Sifu reveals a complex inner life. Sifu (師傅 - Chinese word for master) Brian Edwards was in Victor Wooten bass camp 2002, renting now his vocals to this song. Shawn "Thunder" Wallace, a professor of music at The Ohio State University, adds his fantastic alto sax, Mike Stern his well-known guitar riffs, Morocco-born Amir Ali decorates the tune with his Arabian vocals (Check out his album Mina!).

Miss U is featuring The Lee Boys (Alwin Lee, Derrick Lee and Keith Lee) and especially Saundra Williams, a fine, dark skinned, lanky dreadlocked chanteuse. The Lee Boys are one of America’s finest African-American sacred steel ensembles. Along with their three nephews, Roosevelt Collier (pedal steel guitar), Alvin Cordy Jr. (7-string bass) and Earl Walker (drums) they heated a variety of venues ranging from intimate club settings to performing arts centers to large festival stages.. The musical genre is rooted in Gospel, but infused with rhythm and blues, jazz, rock, funk, hip-hop, country and ideas from other nations.

Victor has dedicated the tune Flex to his longtime band mate Anthony "Flex" Wellington. He is since 1999 in Victor's band and also teaches bass in Victor's bass camp besides his own academy. Of course this tune mirrors the power of both bass masters.

The Gospel presents Victor's family with the help of a snippet from an old Southern Baptist hymn sung by Wooten’s mother. “I recorded her singing it to me over the telephone and it just happened to fit into the song perfectly,” says Wooten. “I had my aunts and uncles sing along to give it the genuine sound. My brother Joseph added the second section. We recruited the younger generation of relatives to sing on that section. It’s a bringing together of the old and the new.”

Song For My Father was released by Horace Silver in 1964 on Blue Note and became Silver's most popular composition. Steely Dan's "Rikky Don't Loose That Number" was also influenced by this song. Wooten's rendition just shares the melody with the original walking deep into Hard Bop, Swing and Funk.

With the uplifting Happy Song Victor enjoys the smooth jazz community. The song has still his quality by Victor's excellent soloing along the melody. The final Us2 featuring Victor Wooten on slide bass and Keb' Mo' on slide guitar is a real song of magical beauty. “I thought of Keb’ when I first wrote this song,” says Wooten. “He added the grit that the song needed. I also play slide bass on this one, which creates a unique blend of the two sounds. Us 2 shows a softer side of my playing, and I like how it leaves you in a peaceful place at the end of the record.”

Victor has reached with Palmystery the summit of his bass mastership. It's no surprise that after Stanley Clarke Victor joined the Heads Up International. Hopefully for a long time.

Rs links:
http://rapidshare.com/files/189056777/VWP08.part1.rar.html
http://rapidshare.com/files/189059646/VWP08.part2.rar.html
http://rapidshare.com/files/189062804/VWP08.part3.rar.html
http://rapidshare.com/files/189065824/VWP08.part4.rar.html
http://rapidshare.com/files/189067769/VWP08.part5.rar.html

Originally Posted at All That Music! Jazz

Sunday, January 25, 2009

Jeff Beck - Performing This Week… Live At Ronnie Scotts



"An absolutely jaw-dropping display of the most exciting, imaginative and inspirational jazz-rock guitar witnessed in years." - Jazzwise

"Perhaps the greatest living guitar virtuoso...Combining astonishing technique with a blissful nuance he exercised an almost supernatural control of his fretboard." - The Times - 4 Stars

Jeff Beck is a true rock legend. From his time with the Yardbirds in the sixties, through the Jeff Beck Group and throughout his solo career his unique guitar style and constant desire to explore new musical areas and sounds has won him the admiration of his peers and the adoration of legions of fans. In 2007 Jeff Beck performed a series of concerts at the renowned Ronnie Scott's club in London. They became the must have ticket of the year with a packed audience every night of the famous and the fans. This CD features performances recorded across the different nights and presents the best version of each track.

Tracklist:
1) Beck’s Bolero
2) Eternity’s Breath
3) Stratus
4) ‘Cause We’ve Ended As Lovers
5) Behind The Veil
6) You Never Know
7) Nadia
8) Blast From The East
9) Led Boots
10) Angels (Footsteps)
11) Scatterbrain
12) Goodbye Pork Pie Hat/Bush With The Blues
13) Space
14) Big Block
15) A Day In The Life
16) Where Were You

Rs links:
http://rapidshare.com/files/186222921/JEFF.part1.rar
http://rapidshare.com/files/186227875/JEFF.part2.rar

Pass (if needed): Fusion_Brasil

-----
Originally posted at Fusion_Brasil

Kotikoski/Kleutgens/Colaiuta - Cave Men



Kotikoski/Kleutgens/Colaiuta - Cave Men

Featuring a teaming of guitarist Antti Kotikoski, bassist J.K. Kleutgens, drummer Vinnie Colaiuta and sax man Steve Tavaglione, Cave Men offers a bounty of fusion tones and textures. All four players are world class musicians who are given tremendous amounts of space to showcase their talents. Kotikoski spreads angular legato lines all over the opener "5 For Eddie", while "Time Sensitive" fineds the guitarist taking a Holdsworthian-like spin through some ferocious bass and tenor sax lines. Colaiuta is at his best throughout the CD, with Germany's Drums and Percussion magazine even selecting Cave Men as one of its CDs of the month. Another great ansemble track is the eight-minute "Sanctuary" with Kotikoski and Tavaglione laying out a melodic framework for some otherworldly soloing to follow. Instrumental Guitar (Electric/Fusion) Info: guitar9.com

Rs link:
http://rapidshare.com/files/182772919/Kotikoski.rar

Pass: mistical12x

-----
Originally posted at Fusion_Brasil

Dennis Chambers, Jeff Berlin, Dave Fiuczynski, and T. Lavitz - Boston T. Party



These four jazz fusion artists give Boston T Party something to crow about. Ten tracks mean ten instrumental conversations; the quartet's original compositions are based in the blues, driven like fiery hard rock, and built upon the spontaneity of jazz. Dave Fiuczynski breathes with expressive fire. The action of his electric guitar adds a distinctive voice to the session that's filled with emotional depth and an easygoing demeanor. Dennis Chambers gives the session considerable force through his throbbing backbeats and consistent meters. He grabs hold of the unpredictable side of his bandmates' journey and comes up with something tangible. Similarly, Jeff Berlin pounds out a stomping rhythmic foundation that won't give an inch. His driving punch comes complete with heavy sustains and throbbing bass lines that reach way down low. T Lavitz layers each composition with keyboard colors that match its intended mood. From raging screams to serene rural landscapes, he's captured it all. A portion of the program runs fast, while other sections move nice and slow. "Deff 184" drives with fire in the eyes, giving everybody a powerful workout. "Constant Comment",�on the other hand, relies on repetition and a lengthy discourse on animated motion. The ensemble's mechanical take gives it a steely texture. Fiuczynski strikes a free blues conversation on "Around About Way" and "(Great) Ball of Issues" as he takes his wah-wah pedal to the max. There's a ton of excitement in every note. Berlin's "Foxy Moron" and "I Hate the Blues" offer a pleasant ride that comes laden with an inspiring rhythmic energy. The quartet's interpretation of "Emotional Squalor" midway through appropriately summarizes the session. Hearts go pounding and fingers fly. Chambers, Berlin, Fiuczynski, and Lavitz convincingly argue the role of fusion as they wrap dirty blues into a jam session that's loaded with expressive rhythms and an undying force.

Musicians:
Dennis Chambers - drums
Jeff Berlin - bass
Dave Fiuczynski - guitar
T. Lavitz - keyboards

Trax:
01. D'funk'd
02.(Great) Ball of Issues
03.Around About Way
04.I Hate the Blues (But Here's One Anyway)
05.All Thought Out
06.Emotional Squalor
07.Deff 184
08.Last Trane
09.Constant Comment
10.Foxy Morons.

Rs link:
http://lix.in/-30f5b5

Pass: Fusion_Brasil

-----
Originally posted at Fusion_Brasil

John Patitucci - Communion (2001)



John Patitucci's fourth Concord release is a sprawling, ambitious affair, employing 18 musicians over the course of ten tracks. Playing both upright and six-string electric basses, Patitucci continues to explore Afro-Cuban and Brazilian sounds — to greatest effect on the vibrant "Choro Luoco," featuring the wordless vocals of Luciana Souza. Patitucci's compositions are brought to life by some of the best players around: pianists Brad Mehldau, Ed Simon, and Bruce Barth; saxophonists Joe Lovano, Tim Ries, and Chris Potter; drummers Brian Blade and Horacio "El Negro" Hernandez, and more. Some of the cuts are less than memorable ("Isabella," "Misterioso"), and the stronger ones succeed more in terms of orchestration than melody. Highlights include Tim Ries' overdubbed woodwind snippets on "Calabria" and Branford Marsalis' soprano sax feature on "Communion," framed by Mehldau and a string quartet. The last two tracks happen to be the sole non-originals, one an electric bass/piano duo meditation on Mal Waldron's "Soul Eyes," the other a solo bass reading of Oscar Pettiford's bop classic "Bohemia After Dark."

Musicians:
Joe Lovano - Sax (Tenor)
John Patitucci - Arranger, Bass (Electric, Acoustic)
Waltinho Anastacio - Percussion
Bruce Barth - Piano
Brian Blade - Drums
Duduka Da Fonseca - Percussion
Horacio "El Negro" Hernández - Drums
Branford Marsalis - Sax (Soprano)
Brad Mehldau - Piano
Marc Quiñones - Percussion, Conga
Tim Ries - Clarinet, Flute, Clarinet (Bass), Flute (Alto)
Edward Simon - Piano
Tom Sheehan - Piano
Sachi Patitucci - Cello
Richard Rood - Violin
Luciana Souza - Vocals

Trax:
1. Bariloche
2. Calabria
3. Choro Luoco
4. Isabella
5. Communion
6. Misterioso
7. Valentine
8. The Sower
9. Soul Eyes
10. Bohemia After Dark

Rs links:
http://lix.in/-3600bd

Pass: Fusion_Brasil

-----
Originally posted at Fusion_Brasil

Stuart Hamm - Outbound (2000)



Stuart Hamm, who has been recognized by Bass Player and Guitar Player magazines as one of the leading contemporary bassists of our time, and who has recorded and played with such inventive and inspiring musicians as Eric Johnson, Joe Satriani, and Steve Vai, is back with his fourth solo release. Featuring some searing guitar work by guests Mark McGee, Judah Gold and Tal Morris, Hamm puts most of the 'guitar' sound in himself, with both his array of 'named' basses and his keyboards. The CD was inspired by the sounds of the city, the urban funkiness, the ever present sound waves of traffic, the beats floating up the hill from the Castro and the birth of Hamm's daughter. Exploring new realms for the electric bass, "Outbound" is your one way ticket to discover where the bass is going in the 21st Century. Another clean album filled with lightning bass work from Stu, "Outbound" is thick with layered guitar, keyboard, and the aforementioned bass. While his technical skill is almost unrivaled, Hamm seems content to stay in the same Neo-Prog Rock groove for this album.

Musicians:
Stuart Hamm - Bass, Keyboards
Judah Gold - Guitar
Mark McGee - Guitar
Steve Smith - Drums

Trax:
1. Outbound
2. ... Remember
3. The Castro Hustle
4. Star Spangled Banner
5. The Memo
6. The Tenacity of Genes and Dreams
7. Charlotte's Song
8. Better World
9. Further Down Market
10. Lydian (Just Enough for the City)

Rs link:
http://lix.in/-35a843

Pass: Fusion_Brasil

-----
Originally posted at Fusion_Brasil

Neal Schon - Beyond The Thunder (1995)



Between the time in the early-to-mid-90s that Neal Schon played in the band Hardline and later reformed Journey, he released this album mixing fusion, world music and acoustic rock influences. Schon collaborated with many old friends including Jonathan Cain and Steve Smith from Journey, and Santana percussionists Chepito Areas and Michael Carabello. In the liner notes Schon recalls the background on some of the songs including "Send Me an Angel" which is about his wife Dina. The unique wolf howl sound effects on "Call of the Wild" were created by Schon on guitar after listening to a tape Michael Carabello had recorded on a trip in Alaska. "Big Moon" contains Journey-esque melodies, as Cain and Schon used the original guitar from the Journey song "I'll Be Alright Without You" for the track's sound. The track "Deep Forest" originated as an acoustic instrumental Schon would perform live in concert with Hardline. As he described "I had all these bits and pieces that I had played over the years that I just love. And so "Deep Forest" is a composed version of what I used to do when I was improvising on stage.". The viola parts of this arrangement were played on keyboard by Schon and according to Cain the first take of the song was used for the album. As a footnote, the album's liner notes contained a shout-out to Journey's former lead singer Steve Perry when Schon commented "I think Steve Perry is going to like this record." The comment may have been a response to words in Perry's song "Anyway" from his 1994 album For the Love of Strange Medicine, which recalled his time together with his "brothers" in Journey. Within one year, Schon and Perry would reunite Journey to release Trial by Fire in 1996.

Trax:
1.Big Moon
2.Bandalero
3.Cool Breeze
4.Zanzibar
5.Send Me an Angel
6.Boulevard of Dreams
7.Espanique
8.Caribbean Blue
9.Someone's Watching Over Me / Iguassa Falls
10.Deep Forest
11.Call of the Wild

Rs link:
http://lix.in/-3d2352

Pass: Fusion_Brasil

-----
Originally posted at Fusion_Brasil


ShoutMix chat widget

recent posts

regulars

you are here

you are visitor no.

  © Blogger template 'Froggy' by Ourblogtemplates.com 2008

Back to TOP